MS WRITE...

MS WRITE...
Showing posts with label KILL-TV. Show all posts
Showing posts with label KILL-TV. Show all posts

Sunday, April 15, 2012

RE: MS-WRITE NOW (Humor) It's Taxing!




IT'S TAXING!


DUHN-DUHN-DUHN...It's Tax Day!


If you're like me, it's all over, but the crying...and paying!


I'm always amazed at how simple public servants like myself, who cling tenaciously to their lower middle class status, can owe on their taxes. But, hey, I still can't believe I'm not fixin' to celebrate my 30th birthday, so I've got all kinds of denial going on up in here.


In order of this auspicious occasion, I have decided to post the synopsis here for my humorous mystery entitled, K-I-L-L- TV which features a murder that takes place on -- you guessed it! -- tax day.


You can circumvent this little attention-grabber and just go directly to the newly-uploaded-for-your-reading-pleasure Chapter 1 on my website, accessing it by clicking the freshly minted "KILL-TV" tab. The WEBSITE of which I speak is: www.dianedeanepps.com


And, hey, if you like what you read, why not order this beast? I've got one more kid child to put through college and if I have too many more tax years like this one that's looking more challenging than keeping my hindquarters above sea level with exercise.


It could be that not only will I be yodeling out to my daughter, "Junior college is an efficient use of our time and money this year," but subsequently, "There's nothing wrong with being in junior college four years and then transferring to the college of your dreams."


Ahhh, the American Dream. Not so much elusive as wily. Onward we go to that synopsis I promised.


SYNOPSIS FOR K-I-L-L- TV


It’s April Fifteenth. Tax Day. And while this is not, traditionally, a source of merriment for any citizen, K-I-L-L TV adds a new twist to Ben Franklin’s axiom about “death and taxes” by telling the humorously suspenseful tale of news director, Leslie Lloyd.


Fateful timing finds Leslie foraging around for a tape in the television station control room when she notices something is off besides the lights; station manager Lincoln Delaware Bradley III is dead.


Unfortunately, our alliterative heroine was known to disagree with the head honcho publicly, loudly and frequently. The fact that Leslie and Lincoln had one humdinger of an argument a mere day’s worth of hours before Lincoln’s death doesn’t escape anyone’s attention, least of all the police.


As if that isn’t enough, Leslie’s husband, that rat-bastard Bob, is leaving her, her income taxes haven’t been filed, and she’s in desperate need of an Alcoholics Anonymous meeting—or ten.


An unexpected diversion in the form of a love connection with policeman, Jared Stanford, provides a welcome breather, even as a veritable Lombard Street of plot twists threaten to send her careening into a metaphorical wall representing her future.


The song title chapter headings set the tone for the intrigue as we get a closer look at Leslie’s life, friends and struggle to stay on top in the uncompromising world of broadcast journalism, as her

story plays non-stop on every station, including K-I-L-L TV.

Sunday, March 7, 2010

KILL-TV...a humorous mystery that takes deadly aim at your funny bone...


March 7, 2010

KILL-TV..the humorous mystery that takes deadly aim at your funny bone...

For anyone who is mildly interested, I've got a new book "out there," called KILL-TV and I'm doggoned excited about it and the fact that I've been asked to be the speaker for the Sierra Writers Group this week, Wednesday, March 10, 2010, at 6:30 p.m., at the Madelyn Helling Library, 980 Helling Way, Nevada City. The book is available at this event and through my website www.dianedeanepps.com, as well as through amazon.com, but it's free -- the event silly, not the book, so if you're bored, come hang out with me on Wednesday. We can take a picture together!

Folks have asked me about this new book, so I thought I'd take the opportunity to tell you a little bit about how this puppy came into being. KILL-TV is one of my "what if," stream-of-consciousness moments parlayed into a plot. As a mere lass in my twenties I spent several years working in the radio and television industry where lessons abounded daily, minute-by-minute deadlines were de rigueur, and my video-to-script writing cost me all use and feeling in my verbs.

"Back in the day," when I discovered the magic wrought by shoulder pads and their seemingly mysterious ability to make my waist appear smaller than it actually was, I came up with another mysterious point to ponder: What if I wrote a comical and suspenseful story that was based upon a combination of irritating characters I’d worked with in broadcasting and, lest there be any residual hostility on my part necessitating expensive counseling, I just plain killed ‘em off?” You know…cheap therapy.

This began my year-long journey into the development of my most ambitious novel to date, KILL-TV, just by virtue of continuity, scene changes, and plotting gyrations.While some kind folks, to whom I am not related, have commented that I am mildly amusing, humor does tend to always find its way into anything I write. Having said that, maintaining a humorous tone, snappy dialogue, and a fast pace can be a daunting task, but it lent itself well to the setting of the broadcast journalism world, a world that looks pretty danged different from the inside out.

I’m often asked why I left the “glamorous” world of broadcasting for my full-time gig as a teacher of Generation Y-ME?! to which I reply cleverly, "Because." Truth be told, as I neared thirty, I was subjected to the tandem aural experience of hearing my biological and sociological clocks ticking; I wanted to contribute to society and use what little experience I had gained to serve people other than myself. Go figure how that kind of thinking can be achieved and channeled through a girl who refused to shop anywhere, but at a store rhyming with, "Lacy’s," until she was…well…thirty.

It may be said that humor is in the mind of the humorist – okay, you got me – I said it and I’m not so sure it makes sense, but just keep in mind, this is my wrap-up and I’m trying to sound all smart, profound, and what-not. With a book that is touted as "humorous," the trickiest part is creating a connection with the reader by accessing the commonality of the absurd and the things that make us all laugh.

Being funny is extremely subjective and when I’m fortunate enough to be in front of someone, whether I’m doing stand-up, or just performing one of my "bits" gratis, I at least have the dual advantages of vocal and facial inflection. Writing does not offer this and no amount of exclamation points, italicized words, or clever dialogue can make someone laugh if the tone hasn’t been set first.

In writing, one way I establish tone is to rely upon situations that have happened, but then exaggerate the heck out of them. This is how I created the scene between Leslie and the recently deceased, Lincoln, where she gets her cute little knit top stuck on his tie clasp. As she attempts to set herself free by rocking back and forth in his lap, she creates the illusion that she is in an unseemly coupling with the boss, and this is in full view of anyone walking by in the outer hallway area, which is just on the other side of the control room glass partition. Combining the horror that a character would feel over discovering her dead boss with a slapstick type of physical interaction that is misinterpreted by a key character is no mean feat, but I hope I’ve succeeded.

It is my fervent hope, desire, and wish that I have created a tale in KILL-TV that amuses the masses who will graciously welcome these characters into their lives, even briefly, and perhaps beyond if the alliterative protagonist, Leslie Lloyd, agrees to a future foray into my next book.

Amazon link:

Saturday, January 9, 2010

Excerpt of the humorous mystery, KILL-TV...


January 9, 2010




I've been known to write a book or ten and so I thought what more perfect spot that one's own blog to post an excerpt from one of these bad boys? The bad boy I'm talking about in this case is my humorous mystery entitled, KILL-TV where I, basically, use the backdrop of a television studio, create characters that are an amalgam of those with which I really worked back in the day and then, systematically kill off some characters. Talk about your cheap therapy?!


Anyway, this book is available through Amazon (or me), so I hope you enjoy this snippet.


http://www.amazon.com/Kill-TV-Diane-Dean-Epps/dp/0981482902


Bon Appetit!


KILL-TV
By: Diane Dean-Epps

Chapter 1


“Something to Talk About.” Bonnie Raitt


Omigod, omigod, omigod, omigod. No one is ever going to believe I didn’t kill him. Instead of KQPT-TV’s, “Where the news comes first” tag line it would now be using, “Where murder comes first.”
Look at him. Even in death he’s ruining my life. I just came in to get the “big rig” fire videotape I needed for tomorrow’s newscast and I was almost home free too when it dawned on me that something wasn't right. I had to go and find him. Catching a glimpse of his inert frame, I had jumped so far that I had banged my shin on one of the swivel chairs. I rubbed my shin as I looked over at KQPT-TV’s head honcho and waited for him to pounce on me yelling, “Aha! Caught you trying to remove station property from the premises.” No dice though. No pounce, just jump—from me.
I glanced over at Lincoln Bradbury Delaware III again, inching my way toward him crab-like, quietly, in case he was sleeping. I was now no more than a foot from him. Nope. He didn’t look like he was sleeping. Certainly not a regular nap. More like a dirt nap. Shouldn’t there be some sort of R.E.M. movement, twitching, or general air flow? I had never quite seen that set to his face. He looked so—lifeless—which gave rise to my hysteria. “Shit!” I yelled and then I clapped my hand over my mouth. I was scared spitless.
Before I could think I continued my tenuous journey toward him, but then at the last moment I veered toward the exit sign. Where were rubber gloves when you needed them? Wait a minute. I wasn’t raised that way. The Lloyds are a wonderful people. My people help. We are helpmates. We even used Hamburger Helper we’re so damned help-conscious. Maybe it wasn’t too late for him. Should I look for a mirror? No. Wait. Be logical. How would that help him? I could see if he was breathing, but what I really needed to do was check for a pulse. I looked around in a panic, seeking a quick exit. I couldn’t just leave. That would be so wrong. So, I’m on a tax deadline, having a marital crisis and in a sticky situation. Hey, wait why is this floor sticky? Never mind for now. What, is this predicament inconveniencing me because I‘m almost late—again—with my taxes? Yes, goddamn it!, the bad angel on my left shoulder answered. It’s tax day and if you don’t get your ass out the door in twenty minutes you can say hello to late fees and good-bye to any prayer of a good night‘s sleep. Remember that you hate this guy and nothing good can come from you being in this room right now. As always happens, the good angel chimed in, Oh, yeah, like she’s really going to sleep tonight after this. Get real! That good angel. She’s a spunky one.
Reason kicked in, followed by a spurt of clarity. For a moment I got a whiff of my own bravery. I needed to lend a hand. This is a human being. Granted, he’s been masquerading as our resident prick of a boss, but he is a human being. All right. Breathe. Focus. Sympathy. Death. April 15th—Tax Day. Death. Taxes. I wondered if my earlier fiddling around with the electronic on-line tax filing program could have possibly put me in the clear with a successful filing? What was I saying? I just found the body of my boss. Death trumps taxes, right Mr. IRS Guy?
This would go down in the book of, Worst Days Experienced by Human Beings, as THE worst day ever. My boss looked dead. Let’s say he is dead. That would be enough excitement, but let’s add more drama. It’s tax day. I owe money to the IRS. And that rat-bastard husband of mine, Bob, dumped me because he needed to “find himself.” I had wanted the authorities to find him and all parts of “himself” all over the city. I guess you could say I’m a bit bitter. One of these occurrences would have sufficed as punishment for my thoughts of revenge against Bob, but all of them?
Bob had always been a man behind his times, his departure spiel harkening straight out of the seventies as he told me he needed “room to grow” and “space to breathe.” I had not been exactly surprised that a slug-like guy like Bob used references that could be applied to plant life, but Bob was a habit. My habit. I had spent five years of my life with him and he was broken in like a comfortable, but slightly rundown sofa. I had been with him, in the main, because he was stable. He was so there, never possessing enough energy to grapple for the remote control that was his birthright, let alone the energy to leave me. But leave me he did, the son of a bitch. He walked in trailing promises and ambled out trailing those son-of-a-bitching sunflower seeds he was so fond of.
My higher power has a great sense of humor. I specifically remember asking that Bob turn up dead by some horrifying means. Not Lincoln. I hadn’t liked either of them, but at least I hadn't been filing a joint income tax return with Lincoln, just resentments.
Oh, crap. Lincoln. Lincoln looked decidedly unlively. I must be in shock, standing here in “whoa-is-me” mode, putting off confirmation of his death. Not the reaction one would expect. I ran over to Lincoln, overcame my revulsion, jumped in his lap and started beating on his chest in some semblance of CPR I had seen on ER at one time or another. Or was it Scrubs? I’m not particularly medical, but I do enjoy a good humorous send-up, so Scrubs was more likely. And if I didn’t do something real quick here I’d be sent up the river for murder if anyone saw me on top of him, attempting to get a pulse. It looked like I was attempting to get something, all right.
I listened for breathing. There was none. Same for the pulse. Nothing was moving, pulsing, dripping or oozing either, the latter two being of the good news variety. Maybe I’m just inept at this checking vital signs thing. Was that someone walking by, outside the control room? Reinforcements. Good stuff. The only problem was I seemed to be entangled in Lincoln’s goddamned tie clasp. Oh, for pete’s sake. My knitted shirt had seemed like a good idea this morning when I put it on, all smart and stylish. Now it was all tangled and stuck on Lincoln. How was I supposed to know that some simple fibers could hook onto a tie clip tighter than abalone on shale?
I rocked in and out, attempting to get myself off the hook, as it were. I looked up in the midst of my impalement and met the eyes of a potential supporter. Uh-oh.
Judging by the lascivious smile on station manager Jim Daly’s face he could most definitely see me through the tinted glass of the control room. And then it dawned on me. This was a lot of dawning for one day. He thought I was screwing the boss. From his viewpoint I was in the boss’ lap, looking for all intents and purposes as though I were riding a sexual carousel for all I was worth. While the real action was decidedly up north from where it appeared I was working, it didn’t matter. Television is a “never say it, if you can show it” kind of business and, evidently, Jim got the story on this one. Why else would I be on Lincoln’s lap? Oh, right, determining if he was alive, right after I disengaged my designer clothing from his equally chic tie clip. It was so obvious?!
Jim just kept right on walking as I kept right on rocking. I finally ripped the blasted shirt off of the tie clasp and jumped off of Lincoln. Where was I going? I gritted my teeth and swiveled back around to look at him more closely. Throughout all of my – efforts – there had been no movement on his part at all. Yuck! Gross.
I needed to get help, but help just kept on walking. Wait a minute. Let me think. If I could just explain things to Jim I’m sure he would understand. Right. I’m alone in the control room, it’s almost midnight and I’m on Lincoln’s lap, riding him like Seabiscuit. Some definite understanding would occur there, wouldn’t it?
I stepped over and in, really looking into Lincoln’s face. One thing was for sure. My boss was not breathing and, now that I had been up close and personal, he had gone decidedly Sara Lee on me, being devoid of heat. As if that wasn’t problematic enough, there was now a witness who had gone away thinking that it was promotion time again at the Okay Television Corral and I was bucking for a big one – raise that is.
Should I run after Jim for help? Who cares how this looks. Something is horribly wrong and I am not going to take the fall for this. And that’s when it happened. That’s when I fell. Blacked out. Out like a light. Lights out. Goodnight Irene. For this I shaved my legs?!